Orchestral Composition

IMITATING AND IMAGINING LA GUITARRA ESPAÑOLA: MANUEL DE FALLA\'S EL SOMBRERO DE TRES PICOS

European History / European Studies / Spanish Literature / Musical Composition / Musicology / Composition and Rhetoric / Spanish / Mimesis / Contemporary Art / Composition (Music) / Spanish History / Classical Guitar / European Politics / Guitar / Orchestral Composition / Modernism / Spanish Civil War / Spain (History) / 20th century Avant-Garde / Orchestration and Arranging / Contemporary History of Spain / Spain / Classical Music / Flamenco / Historical Musicology / Imitation / Guitar Pedagogy / Orchestration / Manuel de Falla / Guitarra Clasica / Flamencology / Flamencología / Composition and Rhetoric / Spanish / Mimesis / Contemporary Art / Composition (Music) / Spanish History / Classical Guitar / European Politics / Guitar / Orchestral Composition / Modernism / Spanish Civil War / Spain (History) / 20th century Avant-Garde / Orchestration and Arranging / Contemporary History of Spain / Spain / Classical Music / Flamenco / Historical Musicology / Imitation / Guitar Pedagogy / Orchestration / Manuel de Falla / Guitarra Clasica / Flamencology / Flamencología